mer, 07/08/2009 - 10:33 — Brennan
Dance uses the body to send a message in performance as the instrument of its art form. I find it is fascinating that the body is capable of attaining a malleable quality to transmit total expressiveness in whatever its form to other people. "I see dance being used as communication between body and soul, to express what its too deep to find for words.
Expériences acquises pendant la formation en danse
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Dance uses the body to send a message in performance as the instrument of its art form. I find it is fascinating that the body is capable of attaining a malleable quality to transmit total expressiveness in whatever its form to other people. "I see dance being used as communication between body and soul, to express what its too deep to find for words.
- Ruth St. Denis
Formations en danse
2006-2009
- Professional Training Program, LADMMI, L'école de danse contemporaine,
Artistic director: Lucie Boissinot
Techniques: Limon, release, ballet, Pilates, somatic techniques, composition, partnering, contact improve
1993-2006
-
Pre-Professional Intensive Training Program, Halifax Dance
Techniques; Modern, Ballet & Pointe (Russian Vagnova syllabus to Advanced), Jazz, Pilates, Tap, Hip Hop, Physical Theatre
Formations complémentaires
2009
- Springboard professional project
New Work by Andrea Miller and Adam Barruch, Montréal
2008
- Theatre workshop, Marie-Josée Gauthier, Montréal
2007-Present
- Moksha Yoga courses, Montréal
2007
- The School of Toronto Dance Theatre Summer Intensive
Graham technique, coaching, creation by Darryl Tracy, Toronto
2006-2008
- Classes from Risa Steinberg (Limon), Morten Dithmer (Franklin Method), Lara Tinari (Horton), Linda Rabin (Body Mind Centering), Montréal
2002-2006
- Master classes with: Roger Sinah, Howard Richard, Bob Maculum, Michael Trent, Crystal Pite, Halifax N.S
Expériences acquises pendant la formation en danse
Interprète
2009
- Dehors, Danièle Desnoyers. Maison de la culture Frontenac, Montréal
2008
- Violet, Yuval Pick, Théâtre La Chapelle, Montréal
- Le carnaval des animaux (pas selon Saint-Saëns!), Manon Oligny, La Chapelle, Montréal
- Furies Alpha 1/24, Estelle Clareton, Monument-National, Montréal
2007
- Avalanchés, Sylvain Émard, La Chapelle, Montréal
- La fête tournera mal, Mélanie Demers, La Chapelle, Montréal
- Minautore au pluriel, inspirée d’Étude Furieuse #1 d’Estelle Clareton, dirigé par Anne Barry, Monument-National, Montréal
2006
- The Young Company of Halifax Dance, Sir James Dunn Theatre, Halifax N.S
Etude (soloist) Parsons Dance Company Repertoire,
Circumstantial Circumstances, Ruth Ellen Kroll Jackson
2001-2005
- Halifax Young Company, Dunn Theatre, Other Works by; Pamela Grundy, Leica Hardy, Sarah Harrigan, Cory Bowles
1998-2004
- The Nutcracker, Symphony Nova Scotia and Halifax DanceYoung Company, The Rebecca Cohn, Halifax, N.S
Expériences professionnelles (en tant qu'interprète, enseignante et chorégraphe)
Interprète
2009
- L’écurie, Manon Oligny, Understudy of solo version for the O.F.F.T.A festival, the SAT, Montréal
2008
- Samsara, compagnie Capriola (France), Nadie Malengreaux, Théâtre Outremont, Montréal
2006
- Black Tie with a Twist, creations by Kym Butler and Gwen Noah, Casino Nova Scotia
- Kenetic Studio, Dancing in the Garden, Kym Butler outdoor performance, Halifax, N,S
- Casino Nova Scotia Commercial Spot
Enseignante
2004-2006
- Halifax Dance; Jazz and Hip Hop and Ballet instructor
2000-2006
- Halifax City Recreational; Ballet, Jazz and
Creative movement instructor ages 3-18
Prix et bourses
2008
- Nova Scotia Talent Trust Scholarship recipient